Gohar Siddiqui

Associate Professor, Visual and Performing Arts

Gohar Siddiqui is a film scholar whose work focuses on Indian cinema, film remakes, and gender studies. She joined Clark University’s Department of Visual and Performing Arts in Fall 2017. Her courses range from foundational courses on the study of film to courses on international cinema, film melodrama, remakes, and Bollywood. Her book, Déjà Viewed: Nation, Gender, and Genre in Bollywood Remakes of Hollywood Cinema (2025) is part of SUNY Press’s Horizons of Cinema Series. The book examines Bollywood remakes as a gendered response to the rapidly shifting terrain within the film industry since the 1990s. Her scholarship in transnational feminism and film studies appears in publications on feminist films and auteurs like Alankrita Shrivastava; domestic abuse film cycle; and docudrama. She has also published on stardom and nation in her essays on Salman Khan and on Shahrukh Khan. Currently, she is working on the courtesan film and gender. 

Professor Siddiqui completed her Ph.D. from Syracuse University in 2013. She received the Hodgkins Junior Faculty Award that recognizes faculty for their research, teaching, and service in 2019.

Scholarly Interests: Film Remakes, Docudrama, Popular Hindi Cinema, Transnational Feminism.

Courses Offered: 

SCRN 101: Foundations of Screen Studies
SCRN 115: Cinephilia (FYI)
SCRN 121: History of International Cinema Until 1960
SCRN 124: History of International Cinema Since 1960
SCRN 130: Film Genre
SCRN 225: Bollywood & Beyond
SCRN 222: Global Remakes

Degrees

  • Ph.D. in English (Film and Screen Studies), Syracuse University, 2013
  • M.A. in English, Bridgewater State University, 2006
  • M.A. in English, University of Delhi, 2001
  • B.A. in English, University of Delhi, 1999

Affiliated Department

Visual and Performing Arts

Scholarly and creative works

  • Book

    Déjà-Viewed: Gender, Genre, and Nation in Bollywood Remakes of Hollywood Cinema.

    Gohar T Siddiqui
  • Book

    Déjà-Viewed: Gender, Genre, and Nation in Bollywood Remakes of Hollywood Cinema.

    2025
    Albany, NY
    USA
    Gohar T Siddiqui
  • Article in Refereed Journal

    Pathaan’s Touch: Cinematic Contact, SRK, and Spectatorship

    New Cinemas: Journal of Contemporary Film
    2024
    Gohar T Siddiqui
  • Article in Refereed Journal

    Jugaad Auteurism: Alankrita Shrivastava and Feminist Bollywood

    Journal of Feminist Scholarship
    Fall
    2022
    Issue #21
    Gohar T Siddiqui
  • Article in Refereed Journal

    Filming Women: A Conversation with Alankrita Shrivastava

    Journal of Feminist Scholarship
    Fall
    2022
    Issue #21
    Gohar T Siddiqui, Anupama Arora, Sandrine Sanos
  • Chapters In Books

    Bollywood’s New Woman
    Chapter: “New Womanhood and #LipstickRebellion: Feminist Consciousness in Lipstick Under My Burkha.”

    Published by Rutgers University Press
    2021
    Gohar T Siddiqui
  • Article in Refereed Journal

    Bridging the Communal Gap: The Star-text of “Hindu-Muslim” Salman Bhaijaan

    Journal of South Asian Popular Culture
    September
    2020
    Vol. 18
    Issue #3
    Gohar T Siddiqui
  • Chapters In Books

    Pop Empires: Transnational and Diasporic Flows of India and Korea
    Chapter: “Making the Past Present: Intertextuality and Pastiche in Bollywood Neo-Noir.”

    Published by University of Hawaii Press
    2019
    Gohar T Siddiqui
  • Article in Refereed Journal

    “Docudrama’s Blurred Boundaries: Truth and Fiction in Afghani Cinema”

    Jump Cut
    Fall
    2019
    Vol. 59
    Gohar T Siddiqui
  • Article in Refereed Journal

    “‘Behind Her Laughter . . . Is Fear’: Domestic Abuse and Transnational Feminism in the Bollywood Remake

    Jump Cut
    2013
    Vol. 55
    Gohar T Siddiqui