In the first decades of the twentieth-century Vienna was a locus for cultural and intellectual innovation, as well as for radical politics of left and right. This symposium brings together a group of leading interdisciplinary scholars to explore the interactions of art, music, and cultural politics in the decades preceding the rise of National Socialism and […]
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holocaust and genocide
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Performed by Stephanie Weiss (mezzo-soprano) and Christina Wright-Ivanova (piano), as part of the Vienna, 1890-1938: Capital of Tradition, Innovation, Promise, and Peril symposium. |
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