Join us for a screening of Oblivion, a filmed opera by John Aylward, professor of music at Clark. The opera, inspired by Dante’s “Pergatorio,” was filmed on the Clark campus.
Hear poems, stories, and songs performed in their original languages. Let’s have a night of beautiful language and cultural exchange!
Join selected students from the Music Program for the rescheduling of their final concert from the fall semester. You can also livestream the event on the Visual and Performing Arts […]
The Schiltkamp Gallery is proud to display 30 black and white photographs by Yoav Horesh, a Maine-based photographer and arts educator who has intimately documented his new home Admiralty Village in Kittery, which was originally home to Portsmouth Navy Yard workers in the 1940s.
Join professional opera performers Rachel Hippert and Jose Heredia as they take you on a journey of horror music from the gothic to contemporary.
Clark Professor of Practice Stephen DiRado’s career retrospective exhibition at the Fitchburg Art Museum will be on view from February 1 to June 1, with the opening reception on February 8.
Come with a team or join one when you arrive for a night of creepy questions, Valentine’s Day-themed desserts, and excellent prizes!
The Clark University Concert Band, under the direction of Samantha McGill, and the Clark University Jazz Workshop Ensemble, under the direction of Jerry Sabatini, will perform together.
The Women in Horror Month Student Panel showcases research and discussion on a variety of different horror topics ranging from gender and queer studies to film techniques.
An exploration of the life and songs of under-recognized composer Fanny Mendelssohn Hensel by Anastasia Black, Soprano and pianist Yelena Beriyeva.
In partnership with CUFSS, relax, eat some pizza and watch the Revenge (2017), directed by Coralie Fargeat (also of The Substance). This high contrast, glitter horror-revenge film takes place in […]
Sylvia Berry, one of North America’s leading exponents of historical keyboard instruments, reveals how the five-octave Viennese fortepiano of the late 18th century inspired Haydn, Mozart, and Beethoven.
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