The Clark University Chamber Chorus, led by conductor Cailin Marcel Manson and accompanied by pianist Yelena Beriyeva, performs four choruses from Carl Orff's “Catulli Carmina” and the entirety of Henry Purcell's “Dido and Aeneas.”
The Clark University Symphony Orchestra is joined by musicians of the New England Repertory Orchestra and Distinguished Artist-In-Residence in Piano Yelena Beriyeva to perform the virtuosic piano concerto Grass by Black composer Coleridge-Taylor Perkinson, paired with the final symphony -- Symphony No. 5 -- of Felix Mendelssohn-Bartholdy, written in 1830, in commemoration of the 300th anniversary of the […]
The guest of a cooking show demonstrates how to create a recipe that came to him in a dream by trying to recreate the dream from memory. Factors in his unpleasant life make themselves readily apparent as the dream progresses.
The guest of a cooking show demonstrates how to create a recipe that came to him in a dream by trying to recreate the dream from memory. Factors in his unpleasant life make themselves readily apparent as the dream progresses.
Join us for a musical journey with the legendary Randy Brecker, a virtuoso trumpeter and flugelhornist and a founding member of the groundbreaking ensemble Blood, Sweat and Tears.
The guest of a cooking show demonstrates how to create a recipe that came to him in a dream by trying to recreate the dream from memory. Factors in his unpleasant life make themselves readily apparent as the dream progresses.
A family holiday dinner set on a palatial space station. There are secrets, drama, and of course: murder. Get tickets here!
A family holiday dinner set on a palatial space station. There are secrets, drama, and of course: murder. Get tickets here!
A family holiday dinner set on a palatial space station. There are secrets, drama, and of course: murder. Get tickets here!
Baritone Cailin Marcel Manson and pianist Yelena Beriyeva are joined by other Clark performance faculty and a chamber ensemble in an exploration of music and surrealist poetry through the music of Hans Kraša and Francis Poulenc, including the secular solo cantata Le bal masqué.
