{"id":543,"date":"2024-12-14T10:29:06","date_gmt":"2024-12-14T15:29:06","guid":{"rendered":"https:\/\/www.golive.clarku.edu\/faculty\/profiles\/hugh-manon\/"},"modified":"2026-04-14T13:09:26","modified_gmt":"2026-04-14T17:09:26","slug":"hugh-manon","status":"publish","type":"cu_faculty","link":"https:\/\/www.clarku.edu\/faculty\/profiles\/hugh-manon\/","title":{"rendered":"Hugh Manon"},"content":{"rendered":"

Professor Hugh Manon is a film scholar and cultural theorist whose work focuses on the psychoanalytic theories of Jacques Lacan.\u00a0 His research extends concepts such as anxiety, disavowal, and jouissance<\/em> into the study of analog, digital, and hybrid forms of media.\u00a0 Manon’s theorization of Glitch Art (co-authored with Daniel Temkin<\/a>), which understands glitching as “a program’s failure to fully fail<\/em> upon encountering bad data,” is among the most widely-cited articles on the subject.\u00a0 Similarly, Manon’s concept of “rude aesthetics” works to reframe the disruptive semiotics of 1970s-80s punk music and subculture\u2014a subject he has taught in several advanced courses.\u00a0 Punk media, he argues, deploys a characteristically postmodern form of “double deception” that defeats skepticism by bluntly admitting an ugly, real truth.<\/p>\n

The film-historical center of Professor Manon’s research is the classical phase of film noir<\/em>, which he has explored in a long series of articles.\u00a0 Manon’s work connects film noir<\/em> to paracinematic media forms such as 1940s-50s “fact detective” magazines and radio programs of the era, as well as early television.\u00a0 His work situates noir<\/em> culture in the context of other related genres\u2014such as the gothic romance, the classical detective whodunit, the gangster film, and the police procedural\u2014as a means of understanding the ideological fantasies about conspiratorial deception that pervade mid-century America.<\/p>\n

Manon’s publications and teaching have also examined the images and sounds of locality in cinema, most notably in his close reading of George Romero’s seminal 1968 zombie film Night of the Living Dead<\/em>, whose low-budget DIY approach ontologically links it to the Pittsburgh-area landscape in which it was filmed.\u00a0 In addition to his study of Romero, Manon has published a series of theory-informed analyses of films by cult auteurs<\/em> such as Tod Browning, William Castle, Joseph H. Lewis, Edgar G. Ulmer, Robert Altman, and David Lynch.\u00a0 <\/p>\n

Professor Manon received a B.Sc. in Telecommunications from the Honors Tutorial College, Ohio University; an M.A. in English from the University of Pittsburgh, and a Ph.D. in Critical and Cultural Studies with Film Studies concentration from the University of Pittsburgh. He has been at Clark since 2010 and is a core faculty member in\u00a0<\/span>Media, Culture and the Arts<\/a>, an interdisciplinary program that he co-founded with Professor Matt Malsky.\u00a0<\/p>\n

Manon is the producer and co-host, with Clark alum Abe Doubleday-Bush, of the biweekly Pods Against Tomorrow<\/a> podcast, which reinvestigates classic, neo-, and pastiche\u00a0films noirs<\/em> one film at a time.<\/p>\n

Courses Offered:<\/p>\n

SCRN 101: Foundations of Screen Studies
SCRN 108: Intro to Screenwriting
SCRN 131: Film Noir and its Contexts
SCRN 140: Film Authors and Authorship
SCRN 222: Synth Cinema
SCRN 291: Capstone — Punk Media: Power, Petulance and the Impossible
MCA 101: Introduction to the Theory, History & Analysis of Media
MCA 180: Podcasting<\/p>\n","protected":false},"author":0,"featured_media":39753,"parent":0,"template":"","meta":{"cu_faculty_f180_userid":"C70193713","cu_faculty_first_name":"Hugh","cu_faculty_last_name":"Manon","cu_faculty_employment_status":"Full Time","cu_faculty_rank":"Associate Professor","cu_faculty_position":"Associate Professor","cu_faculty_phone":"","cu_faculty_email":"HManon@clarku.edu","cu_faculty_location":"","cu_faculty_about":"

Professor Hugh Manon is a film scholar and cultural theorist whose work focuses on the psychoanalytic theories of Jacques Lacan.\u00a0 His research extends concepts such as anxiety, disavowal, and jouissance<\/em> into the study of analog, digital, and hybrid forms of media.\u00a0 Manon's theorization of Glitch Art (co-authored with Daniel Temkin<\/a>), which understands glitching as \"a program's failure to fully fail<\/em> upon encountering bad data,\" is among the most widely-cited articles on the subject.\u00a0 Similarly, Manon's concept of \"rude aesthetics\" works to reframe the disruptive semiotics of 1970s-80s punk music and subculture\u2014a subject he has taught in several advanced courses.\u00a0 Punk media, he argues, deploys a characteristically postmodern form of \"double deception\" that defeats skepticism by bluntly admitting an ugly, real truth.

The film-historical center of Professor Manon's research is the classical phase of film noir<\/em>, which he has explored in a long series of articles.\u00a0 Manon's work connects film noir<\/em> to paracinematic media forms such as 1940s-50s \"fact detective\" magazines and radio programs of the era, as well as early television.\u00a0 His work situates noir<\/em> culture in the context of other related genres\u2014such as the gothic romance, the classical detective whodunit, the gangster film, and the police procedural\u2014as a means of understanding the ideological fantasies about conspiratorial deception that pervade mid-century America.

Manon's publications and teaching have also examined the images and sounds of locality in cinema, most notably in his close reading of George Romero's seminal 1968 zombie film Night of the Living Dead<\/em>, whose low-budget DIY approach ontologically links it to the Pittsburgh-area landscape in which it was filmed.\u00a0 In addition to his study of Romero, Manon has published a series of theory-informed analyses of films by cult auteurs<\/em> such as Tod Browning, William Castle, Joseph H. Lewis, Edgar G. Ulmer, Robert Altman, and David Lynch.\u00a0

Professor Manon received a B.Sc. in Telecommunications from the Honors Tutorial College, Ohio University; an M.A. in English from the University of Pittsburgh, and a Ph.D. in Critical and Cultural Studies with Film Studies concentration from the University of Pittsburgh. He has been at Clark since 2010 and is a core faculty member in\u00a0<\/span>Media, Culture and the Arts<\/a>, an interdisciplinary program that he co-founded with Professor Matt Malsky.\u00a0<\/p>\n

Manon is the producer and co-host, with Clark alum Abe Doubleday-Bush, of the biweekly Pods Against Tomorrow<\/a> podcast, which reinvestigates classic, neo-, and pastiche\u00a0films noirs<\/em> one film at a time.

Courses Offered:

SCRN 101: Foundations of Screen Studies
SCRN 108: Intro to Screenwriting
SCRN 131: Film Noir and its Contexts
SCRN 140: Film Authors and Authorship
SCRN 222: Synth Cinema
SCRN 291: Capstone -- Punk Media: Power, Petulance and the Impossible
MCA 101: Introduction to the Theory, History & Analysis of Media
MCA 180: Podcasting<\/p>","cu_faculty_degrees":"Ph.D. in Cultural and Critical Studies, Film Studies emphasis,<\/span> University of Pittsburgh, 2002\nM.A. in English,<\/span> University of Pittsburgh, 1994\nB.S. in Telecommunications,<\/span> Ohio University, 1990","cu_faculty_cv":"https:\/\/faculty180.interfolio.com\/public\/download.php?key=SDRwNCtxSUpsamxBQ213WS9ucHFuNnMwT0hzQU11b2RPQkJ2cWc3amxyUmNRdVVXTkF4MU1sdUtpdlE1MFA5cnlSRit4SzArUGlwTFR5VzZndFBVZ0MrS1ZYQ2xISzdLLzEveXBqVW1VUFowSkhmcExFZUw1cnBCZGxMZTNQL2VvSWEyWHBUQ0svST0%3D","cu_faculty_links":"[]","cu_faculty_scholarly_interests":"Psychoanalysis and Cultural Theory; Film Noir; Gothic Horror; Glitch Art; George Romero, Tod Browning and Edgar G. Ulmer","cu_faculty_scholarly_works":"[{\"activityid\":8489,\"fields\":{\"Type\":\"Other Media (social media, blogs, podcasts, etc)\",\"Title\":\"RFU: Recommended for You Podcast\",\"Episode Title\":\"with Screen Studies colleagues Rox Samer and Soren Sorensen\",\"Date Published\":\"spring 2021-present\",\"Year\":null,\"Platform\":\"Spotify\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/open.spotify.com\\\/show\\\/6SCjEOMfDYZO1mG5DauUsK\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8489,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2021,\"termid\":\"2020\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"spring 2021-present\"},{\"activityid\":8482,\"fields\":{\"Type\":\"Presentations\",\"Title of Presentation\":\"<span style="font-size:10pt;">Elevation and Gaze<br><\\\/span>\",\"Conference \\\/ Meeting Name\":\"LACK Conference\",\"Location of Conference \\\/ Meeting\":\"University of Vermont\",\"Month \\\/ Season\":\"April\",\"Year\":2023,\"Sponsoring Organization\":\"\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8482,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2023,\"termid\":\"2022\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2023-4-01\"},{\"activityid\":5927,\"fields\":{\"Type\":\"Papers Published - Conference Proceedings\",\"Title of Paper\":\"Close-up and Whispering: An Understanding of Multimodal and Parasocial Interactions in YouTube ASMR videos\",\"Title of Published Proceedings\":\"CHI '22: CHI Conference on Human Factors in Computing Systems\",\"Title of Conference\":\"The ACM Conference on Human Factors in Computing Systems (CHI)\",\"Conference Location\":\"New Orleans, LA\",\"Month \\\/ Season\":\"April - May \",\"Year\":2022,\"Publisher\":\"Association for Computing Machinery\",\"Publisher City and State\":\"New York, NY\",\"Volume\":\"N\\\/A\",\"Issue Number \\\/ Edition\":\"N\\\/A\",\"Page Numbers\":\"1\\u201318\",\"DOI\":\"https:\\\/\\\/doi.org\\\/10.1145\\\/3491102.3517563\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/dl.acm.org\\\/doi\\\/10.1145\\\/3491102.3517563\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":5927,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2022,\"termid\":\"2021\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[{\"attachmentid\":4270,\"mimetype\":\"application\\\/pdf\",\"filename\":\"3491102.3517563.pdf\",\"filesize\":6573504,\"downloadurl\":\"https:\\\/\\\/faculty180.interfolio.com\\\/public\\\/download.php?key=SDRwNCtxSUpsamxBQ213WS9ucHFuNnMwT0hzQU11b2RPQkJ2cWc3amxyUmNRdVVXTkF4MU1sdUtpdlE1MFA5ckFqdys4a2RSUC9CVXRrTmxYMVU0NzVoMHhxWlRzbHhPUXByM2hGTnVFZEtnaHJaZWxNSXI4Zz09\"}],\"coauthors_list\":[\"Shuo Niu\",\"Hugh Manon\"],\"sort_date\":\"2022-4-01\"},{\"activityid\":8503,\"fields\":{\"Type\":\"Chapters in Books\",\"Chapter Title\":\"ASMR Mania, Trigger Chasing, and the Anxiety of Digital Repletion\",\"Book Title\":\"Lacan and the Nonhuman\",\"Series Title\":\"\",\"Year\":2018,\"Date Published\":\"\",\"Publisher\":\"Palgrave\",\"Publisher City and State\":\"\",\"Country of Publisher\":\"\",\"Edition\":\"\",\"Page Numbers\":\"227-48\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/link.springer.com\\\/chapter\\\/10.1007\\\/978-3-319-63817-1_12\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8503,\"status\":\"Completed\\\/Published\",\"term\":\"Fall\",\"year\":2018,\"termid\":\"2018\\\/01\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2018-9-01\"},{\"activityid\":8504,\"fields\":{\"Type\":\"Chapters in Books\",\"Chapter Title\":\"When Strangers Marry: Film Noir as Mediated Gothic\",\"Book Title\":\"The Films of William Castle\",\"Series Title\":\"ReFocus\",\"Year\":2018,\"Date Published\":\"2018-04-13\",\"Publisher\":\"University of Edinburgh Press\",\"Publisher City and State\":\"Edinburgh\",\"Country of Publisher\":\"Scotland\",\"Edition\":\"1st\",\"Page Numbers\":\"21-40\",\"ISSN\":\"9781474424271\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/www.jstor.org\\\/stable\\\/10.3366\\\/j.ctv7n09tg\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8504,\"status\":\"Completed\\\/Published\",\"term\":\"Fall\",\"year\":2018,\"termid\":\"2018\\\/01\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2018-04-13\"},{\"activityid\":8502,\"fields\":{\"Type\":\"Chapters in Books\",\"Chapter Title\":\"The Killer is Loose and the Televisual Dissolution of Film Noir\",\"Book Title\":\"The Films of Budd Boetticher\",\"Series Title\":\"ReFocus\",\"Year\":2017,\"Date Published\":\"\",\"Publisher\":\"University of Edinburgh Press\",\"Publisher City and State\":\"\",\"Country of Publisher\":\"\",\"Edition\":\"\",\"Page Numbers\":\"55-74\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/www.degruyter.com\\\/document\\\/doi\\\/10.1515\\\/9781474419048-007\\\/html?lang=en\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8502,\"status\":\"Completed\\\/Published\",\"term\":\"Fall\",\"year\":2017,\"termid\":\"2017\\\/01\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2017-9-01\"},{\"activityid\":8505,\"fields\":{\"Type\":\"Articles in Refereed Journals\",\"Title\":\"A Field Guide to Imaginary Idiocy\",\"Journal Title\":\"Intertexts\",\"Series Title\":\"\",\"Month \\\/ Season\":\"spring-fall\",\"Year\":2017,\"Publisher\":\"University of Nebraska Press\",\"Publisher City and State\":\"\",\"Publisher Country\":\"\",\"Volume\":\"21\",\"Issue Number \\\/ Edition\":\"1-2\",\"Page Number(s) or Number of Pages\":\"1-39\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/muse.jhu.edu\\\/article\\\/721364\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8505,\"status\":\"Completed\\\/Published\",\"term\":\"May\",\"year\":2017,\"termid\":\"2016\\\/04\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2017--01\"},{\"activityid\":8501,\"fields\":{\"Type\":\"Chapters in Books\",\"Chapter Title\":\"Resolution, Truncation, Glitch\",\"Book Title\":\"Cinematic Cuts: Theorizing Film Endings\",\"Series Title\":\"\",\"Year\":2016,\"Date Published\":\"\",\"Publisher\":\"SUNY Press\",\"Publisher City and State\":\"\",\"Country of Publisher\":\"\",\"Edition\":\"\",\"Page Numbers\":\"19-38\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/sunypress.edu\\\/Books\\\/C\\\/Cinematic-Cuts\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8501,\"status\":\"Completed\\\/Published\",\"term\":\"Fall\",\"year\":2016,\"termid\":\"2016\\\/01\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2016-9-01\"},{\"activityid\":8506,\"fields\":{\"Type\":\"Presentations\",\"Title of Presentation\":\"Shadow, Blur, Glitch: The Gothic Route to Contemporary Digital Expressionism\",\"Conference \\\/ Meeting Name\":\"American Comparative Literature Association\",\"Location of Conference \\\/ Meeting\":\"Harvard University\",\"Month \\\/ Season\":\"March\",\"Year\":2016,\"Sponsoring Organization\":\"\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/www.acla.org\\\/sites\\\/default\\\/files\\\/files\\\/Full_Program_Guide_2016.pdf\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8506,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2016,\"termid\":\"2015\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2016-3-01\"},{\"activityid\":8500,\"fields\":{\"Type\":\"Chapters in Books\",\"Chapter Title\":\"Beyond the Beyond: CGI and the Anxiety of Overperfection\",\"Book Title\":\"\\u017di\\u017eek and Media Studies: A Reader\",\"Series Title\":\"\",\"Year\":2014,\"Date Published\":\"\",\"Publisher\":\"Palgrave\",\"Publisher City and State\":\"\",\"Country of Publisher\":\"\",\"Edition\":\"\",\"Page 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Pages\":\"81-90\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/link.springer.com\\\/article\\\/10.1057\\\/pcs.2012.50\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8499,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2013,\"termid\":\"2012\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2013-4-01\"},{\"activityid\":8498,\"fields\":{\"Type\":\"Chapters in Books\",\"Chapter Title\":\"Partition and Desire in the Films of Joseph H. 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Ulmer's Strange Illusion\",\"Book Title\":\"The Films of Edgar G. Ulmer\",\"Series Title\":\"\",\"Year\":2009,\"Date Published\":\"\",\"Publisher\":\"Scarecrow Press\",\"Publisher City and State\":\"\",\"Country of Publisher\":\"\",\"Edition\":\"\",\"Page Numbers\":\"159-74\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"https:\\\/\\\/rowman.com\\\/ISBN\\\/9780810867000\\\/The-Films-of-Edgar-G.-Ulmer\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8493,\"status\":\"Completed\\\/Published\",\"term\":\"Fall\",\"year\":2009,\"termid\":\"2009\\\/01\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2009-9-01\"},{\"activityid\":8494,\"fields\":{\"Type\":\"Articles in Refereed Journals\",\"Title\":\"Heading Off Satisfaction in Tough Guys Don't Dance\",\"Journal Title\":\"The Mailer Review\",\"Series Title\":\"\",\"Month \\\/ Season\":\"October\",\"Year\":2009,\"Publisher\":\"\",\"Publisher City and State\":\"\",\"Publisher Country\":\"\",\"Volume\":\"3\",\"Issue Number \\\/ Edition\":\"1\",\"Page Number(s) or Number of Pages\":\"582-601\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C70193713\",\"status\":[{\"id\":8494,\"status\":\"Completed\\\/Published\",\"term\":\"Fall\",\"year\":2009,\"termid\":\"2009\\\/01\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C70193713\",\"attachments\":[],\"coauthors_list\":[\"Hugh Manon\"],\"sort_date\":\"2009-10-01\"},{\"activityid\":8492,\"fields\":{\"Type\":\"Chapters in Books\",\"Chapter Title\":\"The Parametric Films Noirs of Edgar G. 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