{"id":36,"date":"2024-12-09T10:30:12","date_gmt":"2024-12-09T15:30:12","guid":{"rendered":"https:\/\/www.golive.clarku.edu\/faculty\/profiles\/matt-malsky\/"},"modified":"2026-04-03T06:05:10","modified_gmt":"2026-04-03T10:05:10","slug":"matt-malsky","status":"publish","type":"cu_faculty","link":"https:\/\/www.clarku.edu\/faculty\/profiles\/matt-malsky\/","title":{"rendered":"Matt Malsky"},"content":{"rendered":"

Matt Malsky is a composer whose music has been performed and acclaimed internationally. His compositional style is characterized by its rhythmic vitality and dramatically crafted gestures, and has been described as economical, eloquent, intellectually rigorous, and emotional compelling. His virtuosic works for acoustic instruments with live computer processing have attracted the interest of outstanding soloists including John Bruce Yeh (Chicago Symphony Orchestra), Esther Lamneck (NYU), Frank Cox (c-squared), Seth Josel and Isabel Ettenauer. The Penderecki String Quartet commissioned his second string quartet, Lacan<\/em>. His third quartet, Berlin, Symphony of a Great City<\/em> is an accompaniment to that classic silent film. Together with his first string quartet, these have been released on compact disc through the Centaur label. His recent chamber music, an aural map of varied emotions, is available on Ravello Records as GEOGRAPHIES & GEOMETRIES<\/a> with the Radius Ensemble and the Worcester Chamber Music Society. His music for silent film may be heard here<\/a>. His first chamber opera, “A Dill Pickle,” was based on a short story by Katherine Mansfield. It was premiered by the Worcester Chamber Music Society<\/a> at the JMAC\/Brickbox Theater in Worcester, MA and featured performances by Caitlin Felsman (mezzo-soprano) and Cailin Marcel Manson (baritone). A commercial recording was released on Neuma Records<\/a>, and a livestream of the premiere can be viewed here<\/a>. Two current chamber opera projects – both based on historical figures – are “Language of Origin,” a staged dialogue between jazz musician Ornette Coleman and philosopher Jacque Derrida; and “Leave Your Dignity At The Door,” set in the Chicago bohemian “Dil Pickle Club” in 1919 with Ben Reitman (the “hobo doctor”), poets Lola Ridge and Emanuel Caraveli, and composer\/pianist Henry Cowell.<\/p>\n

Malsky studied composition with Conrad Pope and Harold Shapero as an undergraduate at Brandeis University. He holds the Ph.D. in music composition from The University of Chicago where he studied with Ralph Shapey, Shulamit Ran and Howard Sandroff. His work has been recognized with awards and grants from ASCAP, Brandeis University, Kurt Weill Gesellschaft, the Hillery Family Charitable Trust, NSF\/Chicago Materials Research Center, Hultgren Solo Cello Works Biennial, American Composer’s Forum, and others.<\/p>\n

As a scholar, his research examines from a psychoanalytic perspective the intersections of music, technology and culture in the post-World War II period. His articles are published in the areas of ethnomusicology, cultural and film studies by the Illinois and Wesleyan University Presses, Palgrave Macmillan, Bloomsbury Publishing, and journals Search<\/em>, Reconstructions<\/em> and World Picture Journal<\/em>.<\/p>\n

Malsky has been at Clark University since 1994. He has served as Associate Provost and Dean of the College, and chair of the Department of Visual & Performing Arts, director of the Music Program as well as the interdisciplinary Communication & Culture program, and two terms as the George N. & Selma U. Jeppson Professor of Music. Since 2014, he has organized the Geller Jazz series on campus, which has featured outstanding performances by Ron Carter with Billy Cobham, Ravi Coltrane with Joe Lovano, Tom Harrell, Trio da Paz, Christian MacBride, Joe Liebman, Bill Charlap with Jon Faddis, Donald Harrison, and many others. He is currently the director of the Higgins Institute for Arts and Humanities, director of the interdisciplinary Media Culture, & the Arts program, and Tina Sweeney, M.A. \u201949, Endowed Chair in Music.<\/p>\n

Courses Offered:<\/p>\n

<\/span><\/a>HS 100: Symposium Seminar
MCA 101: Introduction to the Theory, History & Analysis of Media
MCA 119: Soundscapes & Acoustic Ecology
MCA<\/span> 180: Podcasting – technique & story
MCA<\/span> 290: MediaNOW!
<\/span>MUSC 103: Post-Music
MUSC 125: Musical Acoustics
MUSC 201: Music, Media & Public Spheres
MUSC<\/span> 235: Community Music and Social Action
MUSC<\/span> 242: Soundtracks
MUSC<\/span> 270: Senior Tutorial in Computer Music
<\/a><\/p>\n","protected":false},"author":0,"featured_media":38329,"parent":0,"template":"","meta":{"cu_faculty_f180_userid":"C05721358","cu_faculty_first_name":"Matt","cu_faculty_last_name":"Malsky","cu_faculty_employment_status":"Full Time","cu_faculty_rank":"Professor","cu_faculty_position":"Professor
Tina Sweeney, M.A. '49, Endowed Chair in Music
Director of MCA
Director of Higgins School for the Humanities","cu_faculty_phone":"","cu_faculty_email":"mmalsky@clarku.edu","cu_faculty_location":"","cu_faculty_about":"

Matt Malsky is a composer whose music has been performed and acclaimed internationally. His compositional style is characterized by its rhythmic vitality and dramatically crafted gestures, and has been described as economical, eloquent, intellectually rigorous, and emotional compelling. His virtuosic works for acoustic instruments with live computer processing have attracted the interest of outstanding soloists including John Bruce Yeh (Chicago Symphony Orchestra), Esther Lamneck (NYU), Frank Cox (c-squared), Seth Josel and Isabel Ettenauer. The Penderecki String Quartet commissioned his second string quartet, Lacan<\/em>. His third quartet, Berlin, Symphony of a Great City<\/em> is an accompaniment to that classic silent film. Together with his first string quartet, these have been released on compact disc through the Centaur label. His recent chamber music, an aural map of varied emotions, is available on Ravello Records as GEOGRAPHIES & GEOMETRIES<\/a> with the Radius Ensemble and the Worcester Chamber Music Society. His music for silent film may be heard here<\/a>. His first chamber opera, \"A Dill Pickle,\" was based on a short story by Katherine Mansfield. It was premiered by the Worcester Chamber Music Society<\/a> at the JMAC\/Brickbox Theater in Worcester, MA and featured performances by Caitlin Felsman (mezzo-soprano) and Cailin Marcel Manson (baritone). A commercial recording was released on Neuma Records<\/a>, and a livestream of the premiere can be viewed here<\/a>. Two current chamber opera projects - both based on historical figures - are \"Language of Origin,\" a staged dialogue between jazz musician Ornette Coleman and philosopher Jacque Derrida; and \"Leave Your Dignity At The Door,\" set in the Chicago bohemian \"Dil Pickle Club\" in 1919 with Ben Reitman (the \"hobo doctor\"), poets Lola Ridge and Emanuel Caraveli, and composer\/pianist Henry Cowell.<\/p>\n

Malsky studied composition with Conrad Pope and Harold Shapero as an undergraduate at Brandeis University. He holds the Ph.D. in music composition from The University of Chicago where he studied with Ralph Shapey, Shulamit Ran and Howard Sandroff. His work has been recognized with awards and grants from ASCAP, Brandeis University, Kurt Weill Gesellschaft, the Hillery Family Charitable Trust, NSF\/Chicago Materials Research Center, Hultgren Solo Cello Works Biennial, American Composer's Forum, and others.<\/p>\n

As a scholar, his research examines from a psychoanalytic perspective the intersections of music, technology and culture in the post-World War II period. His articles are published in the areas of ethnomusicology, cultural and film studies by the Illinois and Wesleyan University Presses, Palgrave Macmillan, Bloomsbury Publishing, and journals Search<\/em>, Reconstructions<\/em> and World Picture Journal<\/em>.

Malsky has been at Clark University since 1994. He has served as Associate Provost and Dean of the College, and chair of the Department of Visual & Performing Arts, director of the Music Program as well as the interdisciplinary Communication & Culture program, and two terms as the George N. & Selma U. Jeppson Professor of Music. Since 2014, he has organized the Geller Jazz series on campus, which has featured outstanding performances by Ron Carter with Billy Cobham, Ravi Coltrane with Joe Lovano, Tom Harrell, Trio da Paz, Christian MacBride, Joe Liebman, Bill Charlap with Jon Faddis, Donald Harrison, and many others. He is currently the director of the Higgins Institute for Arts and Humanities, director of the interdisciplinary Media Culture, & the Arts program, and Tina Sweeney, M.A. \u201949, Endowed Chair in Music.

Courses Offered:

<\/span><\/a>HS 100: Symposium Seminar
MCA 101: Introduction to the Theory, History & Analysis of Media
MCA 119: Soundscapes & Acoustic Ecology
MCA<\/span> 180: Podcasting - technique & story
MCA<\/span> 290: MediaNOW!
<\/span>MUSC 103: Post-Music
MUSC 125: Musical Acoustics
MUSC 201: Music, Media & Public Spheres
MUSC<\/span> 235: Community Music and Social Action
MUSC<\/span> 242: Soundtracks
MUSC<\/span> 270: Senior Tutorial in Computer Music
<\/a>

<\/p>","cu_faculty_degrees":"Ph.D. in ,<\/span> University of Chicago, 1990\nB.A. in ,<\/span> Brandeis University, 1983","cu_faculty_cv":"https:\/\/faculty180.interfolio.com\/public\/download.php?key=SDRwNCtxSUpsamxBQ213WS9ucHFuNnMwT0hzQU11b2RPQkJ2cWc3amxyUmNRdVVXTkF4MU1waFJGOVY0YjdhUW1JK0lNa0E4OFAxaG5zaUJCVDRoWllRY0YxbVNDVUdmNW1SSjRIbVRzSm1naHJaZWxNSXI4Zz09","cu_faculty_links":"{\"Professional Website URL\":\"https:\\\/\\\/www2.clarku.edu\\\/faculty\\\/mmalsky\\\/composer\\\/\"}","cu_faculty_scholarly_interests":"Music composition, film sound\/music, music technology","cu_faculty_scholarly_works":"[{\"activityid\":10816,\"fields\":{\"Type\":\"Other Scholarly or Creative Work\",\"Title\":\"Gilbreth Time-and-Motion Study #1\",\"Journal Title \\\/ Book Title \\\/ Volume Title\":\"\",\"Series Title\":\"\",\"Month\":\"\",\"Year\":2023,\"Publisher\":\"Magnetic Flux Music\",\"Journal \\\/ Publisher City and State\":\"\",\"Jounal \\\/ Publisher Country\":\"\",\"Volume\":\"\",\"Issue Number \\\/ Edition\":\"\",\"Page Number(s) or Number of Pages\":\"\",\"ISBN \\\/ ISSN \\\/ Case Number\":\"\",\"Co-contributor\":null,\"URL\":\"\",\"Description\":\"composition for piano for \\u201cOriginal Film\\u201d (1924) by Frank Gilbreth [15 minutes]\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":10816,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2024,\"termid\":\"2023\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"Matt P. Malsky\"],\"sort_date\":\"2023-1-01\"},{\"activityid\":5994,\"fields\":{\"Type\":\"Other Media (social media, blogs, podcasts, etc)\",\"Title\":\""A Dill Pickle" \",\"Episode Title\":\""A Dill Pickle" Album Recording, Mixing and Mastering\",\"Date Published\":\"\",\"Year\":2022,\"Platform\":\"Physical Media and Digital Streamign Platforms. \",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"Recorded, Complied, Mixed, and Masted the chamber opera, "A Dill Pickle." The album is set to be completed in the summer of 2022 and released in the fall of 2022 or the winter of 2023. \",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":5994,\"status\":\"Completed\\\/Published\",\"term\":\"Summer\",\"year\":2023,\"termid\":\"2022\\\/05\",\"listingorder\":6,\"completionorder\":6},{\"id\":5994,\"status\":\"In Progress\",\"term\":\"Summer\",\"year\":2022,\"termid\":\"2021\\\/05\",\"listingorder\":1,\"completionorder\":1},{\"id\":5994,\"status\":\"In Progress\",\"term\":\"Summer\",\"year\":2021,\"termid\":\"2020\\\/05\",\"listingorder\":1,\"completionorder\":1},{\"id\":5994,\"status\":\"In Progress\",\"term\":\"Intersession\",\"year\":2021,\"termid\":\"2020\\\/02\",\"listingorder\":1,\"completionorder\":1}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"John E Freyermuth\",\"Matt P. Malsky\"],\"sort_date\":\"2022-1-01\"},{\"activityid\":5995,\"fields\":{\"Type\":\"Exhibits, Shows, Performances & Readings\",\"Title\":\"The Participants\",\"Year\":2022,\"Date\":\"\",\"Medium (for artworks)\":\"incidental music for a multi-media theatrical work\",\"Venue \\\/ Institution\":\"Clark University\",\"Location\":\"Razzo Hall\",\"Status\":\"Completed\",\"Co-contributor\":null,\"URL\":\"\",\"Description\":\"performed twice this spring; work will continue over the summer on an online version of the work\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":5995,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2022,\"termid\":\"2021\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"Matt P. Malsky\"],\"sort_date\":\"2022-1-01\"},{\"activityid\":5996,\"fields\":{\"Type\":\"Other Media (social media, blogs, podcasts, etc)\",\"Title\":\"The Tides That Bind\",\"Episode Title\":\"\",\"Date Published\":\"\",\"Year\":2022,\"Platform\":\"music for video game (PC & console)\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":5996,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2022,\"termid\":\"2021\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"Matt P. Malsky\"],\"sort_date\":\"2022-1-01\"},{\"activityid\":5997,\"fields\":{\"Type\":\"Exhibits, Shows, Performances & Readings\",\"Title\":\"Call To Post\",\"Year\":2022,\"Date\":\"\",\"Medium (for artworks)\":\"brass quintet\",\"Venue \\\/ Institution\":\"Mechanics Hall\",\"Location\":\"Worcester MA\",\"Status\":\"Completed\",\"Co-contributor\":null,\"URL\":\"\",\"Description\":\"commissioned by Clark University for the inauguration of President Fithian\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":5997,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2022,\"termid\":\"2021\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"Matt P. 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DiRado\"],\"sort_date\":\"2021-9-01\"},{\"activityid\":4059,\"fields\":{\"Type\":\"Other Scholarly or Creative Work\",\"Title\":\"Leave Your Dignity Outside\",\"Journal Title \\\/ Book Title \\\/ Volume Title\":\"opera libretto\",\"Series Title\":\"\",\"Month\":\"May\",\"Year\":2021,\"Publisher\":\"self\",\"Journal \\\/ Publisher City and State\":\"\",\"Jounal \\\/ Publisher Country\":\"\",\"Volume\":\"\",\"Issue Number \\\/ Edition\":\"\",\"Page Number(s) or Number of Pages\":\"35\",\"ISBN \\\/ ISSN \\\/ Case Number\":\"\",\"Co-contributor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":4059,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2022,\"termid\":\"2021\\\/03\",\"listingorder\":6,\"completionorder\":6},{\"id\":4059,\"status\":\"In Progress\",\"term\":\"Summer\",\"year\":2021,\"termid\":\"2020\\\/05\",\"listingorder\":1,\"completionorder\":1},{\"id\":4059,\"status\":\"In Progress\",\"term\":\"May\",\"year\":2021,\"termid\":\"2020\\\/04\",\"listingorder\":1,\"completionorder\":1},{\"id\":4059,\"status\":\"In Progress\",\"term\":\"Summer\",\"year\":2020,\"termid\":\"2019\\\/05\",\"listingorder\":1,\"completionorder\":1}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"Matt P. Malsky\"],\"sort_date\":\"2021-1-01\"},{\"activityid\":1004,\"fields\":{\"Type\":\"Presentations\",\"Title of Presentation\":\"\\u201cthe worst is not always certain\\u201d: the sonic double in Boulez\\u2019s Dialogue de l'ombre double\",\"Conference \\\/ Meeting Name\":\"LACK\",\"Location of Conference \\\/ Meeting\":\"University of Vermont\",\"Month \\\/ Season\":\"September\",\"Year\":2020,\"Sponsoring Organization\":\"\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"conference delayed due to COVID until Fall 2023\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":1004,\"status\":\"Work Discontinued\",\"term\":\"Summer\",\"year\":2022,\"termid\":\"2021\\\/05\",\"listingorder\":7,\"completionorder\":1},{\"id\":1004,\"status\":\"In Progress\",\"term\":\"Summer\",\"year\":2021,\"termid\":\"2020\\\/05\",\"listingorder\":1,\"completionorder\":1},{\"id\":1004,\"status\":\"In Progress\",\"term\":\"Fall\",\"year\":2020,\"termid\":\"2020\\\/01\",\"listingorder\":1,\"completionorder\":1},{\"id\":1004,\"status\":\"In Progress\",\"term\":\"Summer\",\"year\":2020,\"termid\":\"2019\\\/05\",\"listingorder\":1,\"completionorder\":1}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"Matt P. 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Malsky\"],\"sort_date\":\"2020-5-01\"},{\"activityid\":4061,\"fields\":{\"Type\":\"Exhibits, Shows, Performances & Readings\",\"Title\":\"ensemble mise-en concert (livestreamed) \",\"Year\":2020,\"Date\":\"2020-08-06\",\"Medium (for artworks)\":\""Heterogeneous" for toy piano with live computer processing\",\"Venue \\\/ Institution\":\"MISE-EN_PLACE\",\"Location\":\"Brooklyn, NY\",\"Status\":\"Completed\",\"Co-contributor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":4061,\"status\":\"Completed\\\/Published\",\"term\":\"May\",\"year\":2021,\"termid\":\"2020\\\/04\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"Matt P. 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Malsky\"],\"sort_date\":\"2020-1-01\"},{\"activityid\":1005,\"fields\":{\"Type\":\"Articles in Refereed Journals\",\"Title\":\"Concert Hall Acoustics and Urban Renewal in Lincoln Center for the Performing Arts\",\"Journal Title\":\"SoundEffects: a journal of sound studies \",\"Series Title\":\"Special Issue on Sound and Listening Spaces\",\"Month \\\/ Season\":\"Fall\",\"Year\":2020,\"Publisher\":\"\",\"Publisher City and State\":\"\",\"Publisher Country\":\"\",\"Volume\":\"\",\"Issue Number \\\/ Edition\":\"\",\"Page Number(s) or Number of Pages\":\"\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C05721358\",\"status\":[{\"id\":1005,\"status\":\"Work Discontinued\",\"term\":\"Summer\",\"year\":2021,\"termid\":\"2020\\\/05\",\"listingorder\":7,\"completionorder\":1},{\"id\":1005,\"status\":\"In Progress\",\"term\":\"Fall\",\"year\":2020,\"termid\":\"2020\\\/01\",\"listingorder\":1,\"completionorder\":1},{\"id\":1005,\"status\":\"In Progress\",\"term\":\"Summer\",\"year\":2020,\"termid\":\"2019\\\/05\",\"listingorder\":1,\"completionorder\":1}],\"userid\":\"C05721358\",\"attachments\":[],\"coauthors_list\":[\"Matt P. 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Planned to open in Fall 2025, this new organizational unit will be devoted to integrative and synergistic research and nimble outward engagement that challenges business-as-usual in academic institutions and prepares next-generation leaders to address complex, interdisciplinary, 21st century problems. Core to this new unit will be Clark\\u2019s Graduate School of Geography, (GSG), the department of International Development, Community, and Environment (IDCE), George Perkins Marsh Institute, the Center for Geospatial Analytics, A New Earth Conversation (NEC), the Human-ecological Uncertainty, Risk, and Development Lab (HURDL), the Center for the Study of Natural Resources Extraction and Society (Extractives@Clark), and other faculty affiliates from across the university. 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Tina Sweeney, M.A. '49, Endowed Chair in Music, University
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