{"id":182,"date":"2024-12-11T10:28:56","date_gmt":"2024-12-11T15:28:56","guid":{"rendered":"https:\/\/www.golive.clarku.edu\/faculty\/profiles\/benjamin-korstvedt\/"},"modified":"2026-04-03T08:36:32","modified_gmt":"2026-04-03T12:36:32","slug":"benjamin-korstvedt","status":"publish","type":"cu_faculty","link":"https:\/\/www.clarku.edu\/faculty\/profiles\/benjamin-korstvedt\/","title":{"rendered":"Benjamin Korstvedt"},"content":{"rendered":"

Professor Benjamin M. Korstvedt<\/strong> is an active researcher and scholar, a committed and enthusiastic teacher, a frequent speaker at national and international conferences, and a productive author and editor. He graduated summa cum laude<\/em> from Clark University in 1987 with a B.A. in Music and received his Ph.D. from the University of Pennsylvania in 1995. He joined the Clark faculty in 2002, where he is now Professor of Music.\u00a0 He served two terms as Chair of the Department of Visual and Performing Arts<\/a>.\u00a0 He is also affiliated with Clark\u2019s programs in German Studies, Holocaust and Genocide Studies, and MCA (Media, Culture, and the Arts).\u00a0 Before coming to Clark, Professor Korstvedt held faculty positions at the University of St. Thomas, Ball State University, and the University of Iowa.\u00a0 \u00a0<\/a><\/p>\n

Scholarship and Research<\/strong><\/p>\n

Professor Korstvedt publishes widely in several areas. He is a leading scholar of the great Austrian symphonist Anton Bruckner (1824-96). His work has explored the complex text-critical issues surrounding Bruckner\u2019s works, the reception of his music by critics and scholars in the Third Reich, the place of Bruckner\u2019s music in the culture of fin-de-si\u00e8cle Vienna, and the form and meaning of Bruckner\u2019s symphonies. He has published numerous articles on these topics as well as a monograph on Bruckner\u2019s Eighth Symphony<\/a> that considers the history, musical design, aesthetic meaning, and performance of that great work. \u00a0His current book project is Bruckner\u2019s Fourth: The Biography of a Symphony<\/em>.\u00a0 This work, which will be published in 2024, explores the long history of the Fourth Symphony starting with its extraordinarily complex compositional history and continuing through its reception by later generations as they performed and interpreted the symphony in their own ways.\u00a0\u00a0\u00a0<\/p>\n

Korstvedt is a member of the Editorial Board of the New Anton Bruckner Complete Edition<\/a>.\u00a0 His new edition of the second version of the Fourth Symphony<\/a> was published in 2019, and received the Claude V. Palisca Award from the American Musicological Society as the outstanding scholarly edition in the field of musicology published that year. \u00a0 It has been performed by numerous leading orchestras including the Berlin and Vienna Philharmonics and the leading orchestras in Boston, Philadelphia, Munich, Amsterdam, Paris, and Zurich under the direction of Herbert Blomstedt.\u00a0 He published the first modern edition of the 1888 version of Bruckner\u2019s Fourth Symphony in 2004.\u00a0\u00a0 This version of the symphony has been performed internationally in Germany, Japan, the United Kingdom, and Austria, as well as in the U.S.\u00a0 A video production of a performance by the Cleveland Orchestra, conducted by Franz Welser-M\u00f6st in the St. Florian Abbey, Austria has appeared on DVD (Euroarts<\/a>).\u00a0 The Minnesota Orchestra gave the score its American premiere and recorded it on CD under the direction of Osmo V\u00e4nsk\u00e4 in 2010<\/a>.<\/p>\n

Korstvedt also works in other areas of critical musicology.\u00a0 He is the author of a critical study of the musical aesthetics of the German Marxist philosopher Ernst Bloch (1885-1977) entitled Listening for Utopia in Ernst Bloch\u2019s Musical Philosophy<\/a><\/em> (Cambridge University Press).\u00a0\u00a0 The book, which is the first work in English to address this topic, explicates central themes of Bloch\u2019s philosophy of music and develops them through essays on works by Wagner, Mozart, Bruckner and Brahms.\u00a0 Other publications cover topics ranging from the role of music criticism in public discourse<\/a> to the social character of Schubert\u2019s late style<\/a>, with new work in progress on liberal anxieties surrounding the body as a social text<\/a>.<\/p>\n

A frequent speaker at international and national conferences and symposia, Korstvedt has been invited to present lectures and lead seminars at universities in the U.S., the United Kingdom, Ireland, Germany, Hungary, Austria, and Italy.\u00a0 He has contributed essays to program books for performance and recordings, and given pre-concert lectures in various venues..<\/p>\n

Professor Korstvedt\u2019s research has been honored with several international and national fellowships, including those from the National Endowment for the Humanities and the Internationale Forschungszentrum Kulturwissenschaften, Vienna<\/a>.\u00a0 In 2010 he was awarded the Julio Kilenyi Medal of Honor by the Bruckner Society of America in recognition of \u201cexemplary work in furthering the understanding and appreciation of the life and work of Anton Bruckner.\u201d\u00a0\u00a0<\/p>\n

Prof. Korstvedt has recently been appointed to the Advisory Board of the Institute of Austrian and German Music Research<\/a>, a forum for renewed scholarly investigation of Austrian and German musical culture based at the University of Surrey. \u00a0He has been the President of the Bruckner Society of America since 2011 and also serves on the editorial board of the Nineteenth-Century Music Review<\/a> (Cambridge University Press), a journal that explores music within all aspects of culture in the long nineteenth century (c.1789-1914). \u00a0He is a past member of the Council of the American Musicological Society and was the founding Vice President of the Haydn Society of North America.<\/p>\n

Teaching<\/strong><\/p>\n

Professor Korstvedt\u2019s teaching explores musical history and culture from the seventeenth century into the twentieth century, with a special interest in developing critical strategies for exploring connections between music and its many cultural contexts.\u00a0\u00a0 He has designed and taught numerous courses in Clark\u2019s music curriculum including an innovative introductory course \u201cStudying Music Historically and Critically,\u201d as well as courses on topics in music before 1750, classical and romantic repertory, musical modernism from 1885 to 1945, and a first-year seminar on music and politics.\u00a0 More recently he offered a seminar entitled \u201cFrom Wagnerism to Nazism: the grandeur and catastrophe of German music.\u201d\u00a0 Together with Prof. Wiebke Deimling of Clark\u2019s Philosophy Department, he regularly offers a team-taught interdisciplinary seminar on \u201cThe Ethics and Aesthetics of the Sublime in Music and Art,\u201d and most recently a seminar entitled \u201cVienna, 1890-1938: Capital of Tradition, Innovation, Promise, and Peril\u201d together with Prof. Frances Tanzer of Clark\u2019s History Department and the Strassler Center.<\/p>\n","protected":false},"author":0,"featured_media":38346,"parent":0,"template":"","meta":{"cu_faculty_f180_userid":"C38771214","cu_faculty_first_name":"Benjamin","cu_faculty_last_name":"Korstvedt","cu_faculty_employment_status":"Full Time","cu_faculty_rank":"Professor","cu_faculty_position":"Professor","cu_faculty_phone":"","cu_faculty_email":"bkorstvedt@clarku.edu","cu_faculty_location":"","cu_faculty_about":"

Professor Benjamin M. Korstvedt<\/strong> is an active researcher and scholar, a committed and enthusiastic teacher, a frequent speaker at national and international conferences, and a productive author and editor. He graduated summa cum laude<\/em> from Clark University in 1987 with a B.A. in Music and received his Ph.D. from the University of Pennsylvania in 1995. He joined the Clark faculty in 2002, where he is now Professor of Music.\u00a0 He served two terms as Chair of the Department of Visual and Performing Arts<\/a>.\u00a0 He is also affiliated with Clark\u2019s programs in German Studies, Holocaust and Genocide Studies, and MCA (Media, Culture, and the Arts).\u00a0 Before coming to Clark, Professor Korstvedt held faculty positions at the University of St. Thomas, Ball State University, and the University of Iowa.\u00a0 \u00a0<\/a><\/p>\n

Scholarship and Research<\/strong><\/p>\n

Professor Korstvedt publishes widely in several areas. He is a leading scholar of the great Austrian symphonist Anton Bruckner (1824-96). His work has explored the complex text-critical issues surrounding Bruckner\u2019s works, the reception of his music by critics and scholars in the Third Reich, the place of Bruckner\u2019s music in the culture of fin-de-si\u00e8cle Vienna, and the form and meaning of Bruckner\u2019s symphonies. He has published numerous articles on these topics as well as a monograph on Bruckner\u2019s Eighth Symphony<\/a> that considers the history, musical design, aesthetic meaning, and performance of that great work. \u00a0His current book project is Bruckner\u2019s Fourth: The Biography of a Symphony<\/em>.\u00a0 This work, which will be published in 2024, explores the long history of the Fourth Symphony starting with its extraordinarily complex compositional history and continuing through its reception by later generations as they performed and interpreted the symphony in their own ways.\u00a0\u00a0\u00a0<\/p>\n

Korstvedt is a member of the Editorial Board of the New Anton Bruckner Complete Edition<\/a>.\u00a0 His new edition of the second version of the Fourth Symphony<\/a> was published in 2019, and received the Claude V. Palisca Award from the American Musicological Society as the outstanding scholarly edition in the field of musicology published that year. \u00a0 It has been performed by numerous leading orchestras including the Berlin and Vienna Philharmonics and the leading orchestras in Boston, Philadelphia, Munich, Amsterdam, Paris, and Zurich under the direction of Herbert Blomstedt.\u00a0 He published the first modern edition of the 1888 version of Bruckner\u2019s Fourth Symphony in 2004.\u00a0\u00a0 This version of the symphony has been performed internationally in Germany, Japan, the United Kingdom, and Austria, as well as in the U.S.\u00a0 A video production of a performance by the Cleveland Orchestra, conducted by Franz Welser-M\u00f6st in the St. Florian Abbey, Austria has appeared on DVD (Euroarts<\/a>).\u00a0 The Minnesota Orchestra gave the score its American premiere and recorded it on CD under the direction of Osmo V\u00e4nsk\u00e4 in 2010<\/a>.<\/p>\n

Korstvedt also works in other areas of critical musicology.\u00a0 He is the author of a critical study of the musical aesthetics of the German Marxist philosopher Ernst Bloch (1885-1977) entitled Listening for Utopia in Ernst Bloch\u2019s Musical Philosophy<\/a><\/em> (Cambridge University Press).\u00a0\u00a0 The book, which is the first work in English to address this topic, explicates central themes of Bloch\u2019s philosophy of music and develops them through essays on works by Wagner, Mozart, Bruckner and Brahms.\u00a0 Other publications cover topics ranging from the role of music criticism in public discourse<\/a> to the social character of Schubert\u2019s late style<\/a>, with new work in progress on liberal anxieties surrounding the body as a social text<\/a>.<\/p>\n

A frequent speaker at international and national conferences and symposia, Korstvedt has been invited to present lectures and lead seminars at universities in the U.S., the United Kingdom, Ireland, Germany, Hungary, Austria, and Italy.\u00a0 He has contributed essays to program books for performance and recordings, and given pre-concert lectures in various venues..<\/p>\n

Professor Korstvedt\u2019s research has been honored with several international and national fellowships, including those from the National Endowment for the Humanities and the Internationale Forschungszentrum Kulturwissenschaften, Vienna<\/a>.\u00a0 In 2010 he was awarded the Julio Kilenyi Medal of Honor by the Bruckner Society of America in recognition of \u201cexemplary work in furthering the understanding and appreciation of the life and work of Anton Bruckner.\u201d\u00a0\u00a0<\/p>\n

Prof. Korstvedt has recently been appointed to the Advisory Board of the Institute of Austrian and German Music Research<\/a>, a forum for renewed scholarly investigation of Austrian and German musical culture based at the University of Surrey. \u00a0He has been the President of the Bruckner Society of America since 2011 and also serves on the editorial board of the Nineteenth-Century Music Review<\/a> (Cambridge University Press), a journal that explores music within all aspects of culture in the long nineteenth century (c.1789-1914). \u00a0He is a past member of the Council of the American Musicological Society and was the founding Vice President of the Haydn Society of North America.<\/p>\n

Teaching<\/strong><\/p>\n

Professor Korstvedt\u2019s teaching explores musical history and culture from the seventeenth century into the twentieth century, with a special interest in developing critical strategies for exploring connections between music and its many cultural contexts.\u00a0\u00a0 He has designed and taught numerous courses in Clark\u2019s music curriculum including an innovative introductory course \u201cStudying Music Historically and Critically,\u201d as well as courses on topics in music before 1750, classical and romantic repertory, musical modernism from 1885 to 1945, and a first-year seminar on music and politics.\u00a0 More recently he offered a seminar entitled \u201cFrom Wagnerism to Nazism: the grandeur and catastrophe of German music.\u201d\u00a0 Together with Prof. Wiebke Deimling of Clark\u2019s Philosophy Department, he regularly offers a team-taught interdisciplinary seminar on \u201cThe Ethics and Aesthetics of the Sublime in Music and Art,\u201d and most recently a seminar entitled \u201cVienna, 1890-1938: Capital of Tradition, Innovation, Promise, and Peril\u201d together with Prof. Frances Tanzer of Clark\u2019s History Department and the Strassler Center.<\/p>","cu_faculty_degrees":"Ph.D. in Music,<\/span> University of Pennsylvania, 1995\nB.A. in Music,<\/span> Clark University, 1987","cu_faculty_cv":"https:\/\/faculty180.interfolio.com\/public\/download.php?key=SDRwNCtxSUpsamxBQ213WS9ucHFuNnMwT0hzQU11b2RPQkJ2cWc3amxyUmNRdVVXTkF4MU1uREZkZ0c4YkJzSGg4ZTNPL2pRc3Z0M2NNM3RydzVUR1BlUFVTQTFieHdtemp5NW1PWFpnaE83QTFiZnJHdkVvOXF5YmhSdjBuaUQ%3D","cu_faculty_links":"[]","cu_faculty_scholarly_interests":"Musicology, Cultural History, Textual Criticism, Viennese and Habsburg History, Performance Practice, Historical Materialism, Nazism, Aesthetics, Music and Identity","cu_faculty_scholarly_works":"[{\"activityid\":12511,\"fields\":{\"Type\":\"Other Media (social media, blogs, podcasts, etc)\",\"Title\":\"\\n<p><span style="color:#000000;">\\u201cA Special Interview with Benjamin Korstvedt, a Leading Bruckner Scholar\\u201d in Ongaku no Tomo (Friends of Music), Special Edition: \\u201cThe Latest on Bruckner on the 200th Anniversary of his Birth,\\u201d December 2024, pp. 18-21 (in Japanese, translated by Yutaro Ishihara). <\\\/span><\\\/p>\",\"Episode Title\":\"\",\"Date Published\":\"December\",\"Year\":2024,\"Platform\":\"Ongaku no Tomo\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C38771214\",\"status\":[{\"id\":12511,\"status\":\"Completed\\\/Published\",\"term\":\"Fall\",\"year\":2024,\"termid\":\"2024\\\/01\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C38771214\",\"attachments\":[],\"coauthors_list\":[\"Benjamin M. Korstvedt\"],\"sort_date\":\"December\"},{\"activityid\":12508,\"fields\":{\"Type\":\"Articles in Refereed Journals\",\"Title\":\"<span>"Bruckner, arranged"<\\\/span>\",\"Journal Title\":\"The Bruckner Journal\",\"Series Title\":\" \",\"Month \\\/ Season\":\"March 2025 \",\"Year\":2025,\"Publisher\":\"Bruckner Society of America\",\"Publisher City and State\":\"Windsor, CT\",\"Publisher Country\":\"USA\",\"Volume\":\"29\",\"Issue Number \\\/ Edition\":\"1 \",\"Page Number(s) or Number of Pages\":\"19-24\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C38771214\",\"status\":[{\"id\":12508,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2025,\"termid\":\"2024\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C38771214\",\"attachments\":[],\"coauthors_list\":[\"Benjamin M. Korstvedt\"],\"sort_date\":\"2025-3-01\"},{\"activityid\":12516,\"fields\":{\"Type\":\"Presentations\",\"Title of Presentation\":\"<p><span>\\u201cThe Political Backstory of the Mahler article in MGG, ca. 1959"\\u00a0 <b><span><\\\/span><\\\/b><\\\/span><\\\/p>\",\"Conference \\\/ Meeting Name\":\"AMS-New England Winter Conference,\",\"Location of Conference \\\/ Meeting\":\"Wesleyan University (virtual)\",\"Month \\\/ Season\":\"February\",\"Year\":2025,\"Sponsoring Organization\":\"American Musicological Society, New England Chapter\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C38771214\",\"status\":[{\"id\":12516,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2025,\"termid\":\"2024\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C38771214\",\"attachments\":[],\"coauthors_list\":[\"Benjamin M. Korstvedt\"],\"sort_date\":\"2025-2-01\"},{\"activityid\":11288,\"fields\":{\"Type\":\"Chapters in Books\",\"Chapter Title\":\"\\n<p><span>\\u201cBruckner am Wendepunkt: Fr\\u00fche Aufnahmen der Vierten Symphonie als Dokumente von Interpretationsstilen im Wandel"<\\\/span><b><span><\\\/span><\\\/b><\\\/p>\",\"Book Title\":\"Bruckner: Auff\\u00fchrungspraxis und Interpretation \",\"Series Title\":\"\",\"Year\":2025,\"Date Published\":\"\",\"Publisher\":\"\",\"Publisher City and State\":\"\",\"Country of Publisher\":\"\",\"Edition\":\"\",\"Page Numbers\":\"\",\"ISSN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C38771214\",\"status\":[{\"id\":11288,\"status\":\"Completed\\\/Published\",\"term\":\"Summer\",\"year\":2024,\"termid\":\"2023\\\/05\",\"listingorder\":6,\"completionorder\":6},{\"id\":11288,\"status\":\"Accepted\",\"term\":\"Fall\",\"year\":2023,\"termid\":\"2023\\\/01\",\"listingorder\":4,\"completionorder\":4}],\"userid\":\"C38771214\",\"attachments\":[],\"coauthors_list\":[\"Benjamin M. 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Korstvedt\"],\"sort_date\":\"2025-02-17\"},{\"activityid\":7558,\"fields\":{\"Type\":\"Books and Monographs\",\"Title\":\"<span>Bruckner\\u2019s Fourth:<span>\\u00a0 <\\\/span>The Biography of a Symphony<\\\/span><span><span><\\\/span><\\\/span>\",\"Series Title\":\"Oxford Studies in Musical Genesis, Structure, and Interpretation\",\"Year\":2024,\"Date Published\":\"\",\"Publisher\":\"Oxford University Press\",\"Publisher City and State\":\"New York, NY\",\"Country of Publisher\":\"USA\",\"Volume\":\"\",\"Edition\":\"\",\"Number of Pages\":\"\",\"ISBN\":\"\",\"DOI\":\"\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"<p>This book explores the biography of Bruckner\\u2019s Fourth Symphony, starting with its extraordinarily complex compositional history and continuing through subsequent phases as later generations performed and interpreted the symphony in their own ways.\\u00a0\\u00a0 In addition to presenting a richly detailed account of the composition and revision of the Fourth, the book is also critical.\\u00a0 It seeks to evaluate and understand the symphony, in all its versions, in musical terms, just as it works to comprehend how material conditions, historical circumstances, and changing values shaped aspects of the symphony\\u2019s text and its reception by various audiences, beginning with the composer himself and continuing through the present day.<\\\/p>\",\"Include description in output citation\":1,\"Origin\":\"Manual\"},\"facultyid\":\"C38771214\",\"status\":[{\"id\":7558,\"status\":\"Completed\\\/Published\",\"term\":\"Fall\",\"year\":2024,\"termid\":\"2024\\\/01\",\"listingorder\":6,\"completionorder\":6},{\"id\":7558,\"status\":\"In Press\",\"term\":\"Spring\",\"year\":2024,\"termid\":\"2023\\\/03\",\"listingorder\":5,\"completionorder\":5},{\"id\":7558,\"status\":\"Submitted\",\"term\":\"Summer\",\"year\":2023,\"termid\":\"2022\\\/05\",\"listingorder\":2,\"completionorder\":2},{\"id\":7558,\"status\":\"Submitted\",\"term\":\"Spring\",\"year\":2023,\"termid\":\"2022\\\/03\",\"listingorder\":2,\"completionorder\":2}],\"userid\":\"C38771214\",\"attachments\":[],\"coauthors_list\":[\"Benjamin M. 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Korstvedt\"],\"sort_date\":\"2022-2-01\"},{\"activityid\":5517,\"fields\":{\"Type\":\"Presentations\",\"Title of Presentation\":\"\\u201cDeclarations of Disgust, or the disciplining of the \\u2018proper\\u2019 ear, ca. 1900"\",\"Conference \\\/ Meeting Name\":\"Music History and Music Theory Lecture Series\",\"Location of Conference \\\/ Meeting\":\"he Claire Trevor School of the Arts at UC Irvine (virtual) \",\"Month \\\/ Season\":\"February\",\"Year\":2022,\"Sponsoring Organization\":\"UC Irvine\",\"CoAuthor\":null,\"URL\":\"\",\"Description\":\"\",\"Include description in output citation\":0,\"Origin\":\"Manual\"},\"facultyid\":\"C38771214\",\"status\":[{\"id\":5517,\"status\":\"Completed\\\/Published\",\"term\":\"Spring\",\"year\":2022,\"termid\":\"2021\\\/03\",\"listingorder\":6,\"completionorder\":6}],\"userid\":\"C38771214\",\"attachments\":[],\"coauthors_list\":[\"Benjamin M. 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Korstvedt\"],\"sort_date\":\"2019--01\"}]","cu_faculty_awards_and_grants":"[{\"activityid\":4192,\"fields\":{\"Title\":\"Bruckner and\\\/or Mahler: Changing Images of Two Austrian Composers in the Mirror of Sociopolitical Change in Austria and the United States, 1918-1996 \",\"Sponsor\":\"The Botstiber Institute for Austrian-American Studies\",\"Grant ID \\\/ Contract ID\":\"\",\"Award Date\":\"2023-07-19\",\"Start Date\":\"2024-03-01\",\"End Date\":\"2024-12-16\",\"Period Length\":1,\"Period Unit\":\"Year\",\"Indirect Funding\":0,\"Indirect Cost Rate\":null,\"Total Funding\":\"8400\",\"Total Direct Funding\":null,\"Currency Type\":\"USD\",\"Description\":\"This grant was awarded to cover travel, housing and related reserach expenses involved in archival research in both Austria and the U.S. during 2024.\\u00a0 The material I have and will soon study include archival materials from performances (scores and orchestral materials, as well as relevant correspondence and program booklets in symphonic archives), reviews and other journalistic materials, private correspondence of leading conductors and advocates, as well as materials of the pertinent societies, the Internationale Gustav Mahler Gesellschaft (IGMG), the Internationale Bruckner-Gesellschaft (IBG), and the Bruckner Society of America (BSA), which included Mahler as well as Bruckner in its purview through the 1960s. This research will provide the basis for a chapter of my current book project, which has the working title Bruckner in Public<\\\/em> and is based around a series of critical essays on ways in which audiences have interacted with Bruckner\\u2019s music from the 1880s to the present.\",\"Abstract\":\"<p>The music and public images of Anton Bruckner (1824-1896) and Gustav Mahler (1860-1911), widely regarded as the preeminent Austrian symphonists of the epoch around 1900, have long been interpreted and reinterpreted in ways that reach far beyond the usual confines of musical life. This critical discourse originated in the context of the political and cultural upheavals Austria and Austrian culture underwent in the first half of the twentieth century, and as the music of both composers increasingly entered American musical life in the postwar, it was reformulated in new ways within the distinctive sociocultural milieu of the U.S. This comparative critical study of the changing views and representations of these two composers will shed light not only on their musical works but also on fundamental issues of cultural politics and changing definitions of Austrian identity.<\\\/p>\",\"Number of 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2024\",\"Sponsor\":\"American Musicological Society\",\"Grant ID \\\/ Contract ID\":\"\",\"Award Date\":\"2024-02-06\",\"Start Date\":\"2024-02-19\",\"End Date\":\"2024-04-22\",\"Period Length\":1,\"Period Unit\":\"Year\",\"Indirect Funding\":0,\"Indirect Cost Rate\":null,\"Total Funding\":\"450\",\"Total Direct Funding\":null,\"Currency Type\":\"USD\",\"Description\":\"\",\"Abstract\":\"<p>Publication Subvention, American Musicological Society, to defray production costs for <em>Bruckner\\u2019s Fourth: The Biography of a Symphony<\\\/em><\\\/p>\",\"Number of Periods\":1,\"URL\":\"\"},\"facultyid\":\"C38771214\",\"funding\":{\"7198\":{\"id\":7198,\"grantid\":4193,\"fundedamount\":\"450\",\"yearfunded\":1,\"fundedtype\":\"Total\",\"currencytype\":\"USD\",\"startdate\":\"2024-02-19\",\"enddate\":\"2025-02-19\"}},\"coauthors\":{\"6670\":{\"authorid\":6670,\"grantid\":4193,\"firstname\":\"Benjamin\",\"middleinitial\":\"M.\",\"lastname\":\"Korstvedt\",\"authortype\":\"PI\",\"percenteffort\":\"100\",\"sameschoolflag\":1,\"facultyid\":\"C38771214\",\"primaryunitid\":25}},\"status\":[{\"grantid\":4193,\"status\":\"Completed\",\"statuslabel\":\"Completed\",\"term\":\"Fall\",\"year\":2024,\"termid\":\"2024\\\/01\",\"listingorder\":4,\"completionorder\":6}],\"userid\":\"C38771214\",\"attachments\":[],\"sort_date\":\"2024-04-22\"},{\"activityid\":1750,\"fields\":{\"Title\":\"Vienna, 1890-1938: Capital of Tradition, Innovation, Promise, and Peril \",\"Sponsor\":\"Clark's Academic Innovation Fund \",\"Grant ID \\\/ Contract ID\":\"\",\"Award 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Periods\":1,\"URL\":\"\"},\"facultyid\":\"C38771214\",\"funding\":{\"7199\":{\"id\":7199,\"grantid\":1750,\"fundedamount\":\"11200\",\"yearfunded\":1,\"fundedtype\":\"Total\",\"currencytype\":\"USD\",\"startdate\":\"2022-01-03\",\"enddate\":\"2023-01-03\"}},\"coauthors\":{\"6671\":{\"authorid\":6671,\"grantid\":1750,\"firstname\":\"Benjamin\",\"middleinitial\":\"M.\",\"lastname\":\"Korstvedt\",\"authortype\":\"CoInvestigator\",\"percenteffort\":\"100\",\"sameschoolflag\":1,\"facultyid\":\"C38771214\",\"primaryunitid\":25}},\"status\":[{\"grantid\":1750,\"status\":\"Completed\",\"statuslabel\":\"Completed\",\"term\":\"Spring\",\"year\":2023,\"termid\":\"2022\\\/03\",\"listingorder\":4,\"completionorder\":6}],\"userid\":\"C38771214\",\"attachments\":[{\"attachmentid\":4035,\"mimetype\":\"application\\\/pdf\",\"filename\":\"Korstvedt and Tanzer, Academic Innovation Fund proposal 2.0.pdf\",\"filesize\":98608,\"downloadurl\":\"https:\\\/\\\/faculty180.interfolio.com\\\/public\\\/download.php?key=SDRwNCtxSUpsamxBQ213WS9ucHFuNnMwT0hzQU11b2RPQkJ2cWc3amxyUmNRdVVXTkF4MU1uREZkZ0c4YkJzSGpaOTJpUHpBQnBzc2N5TXlQOUR3RVdYVVJaSTU4QkI5dUhvV2p2U3NUbm4zcFV5bFMva21OK0JoUDFLNDgxeUpSdVRLclRBUlhDQURaKytoTlF1T1hrd0Rxc3BJWEpmZENKbEE5QlFTT0dHZ2hyWmVsTUlyOGc9PQ%3D%3D\"}],\"sort_date\":\"2023-05-01\"},{\"activityid\":1751,\"fields\":{\"Title\":\"Varieties of Sublime Experience\",\"Sponsor\":\"Leir program (Clark U) and Centre de formation et de seminaires (CEFOS)\",\"Grant ID \\\/ Contract ID\":\"\",\"Award Date\":\"2022-01-03\",\"Start Date\":\"2022-06-16\",\"End Date\":\"2022-06-20\",\"Period Length\":1,\"Period Unit\":\"Year\",\"Indirect Funding\":0,\"Indirect Cost Rate\":null,\"Total Funding\":\"15000\",\"Total Direct Funding\":null,\"Currency Type\":\"USD\",\"Description\":\"\",\"Abstract\":\"<p>Prof. Wiebke Deimling and I applied for an secured funding from Clark's Leir Program 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The workshop will bring together a group of scholars from a range of disciplines, including philosophy, musicology, media studies, and psychology in order to explore the concept of the sublime in innovative, interdisciplinary ways.<\\\/p>\\n<p>The workshop and the funding were approved in early 2020 and the workshop was scheduled for June 2020, but was postponed durning the pandemic until June 2022<\\\/p>\",\"Number of Periods\":1,\"URL\":\"\"},\"facultyid\":\"C38771214\",\"funding\":{\"4093\":{\"id\":4093,\"grantid\":1751,\"fundedamount\":\"15000\",\"yearfunded\":1,\"fundedtype\":\"Total\",\"currencytype\":\"USD\",\"startdate\":\"2022-06-16\",\"enddate\":\"2023-06-16\"}},\"coauthors\":{\"3730\":{\"authorid\":3730,\"grantid\":1751,\"firstname\":\"Benjamin\",\"middleinitial\":\"M.\",\"lastname\":\"Korstvedt\",\"authortype\":\"CoInvestigator\",\"percenteffort\":\"50\",\"sameschoolflag\":1,\"facultyid\":\"C38771214\",\"primaryunitid\":25},\"3731\":{\"authorid\":3731,\"grantid\":1751,\"firstname\":\"Wiebke\",\"middleinitial\":\"\",\"lastname\":\"Deimling\",\"authortype\":\"CoInvestigator\",\"percenteffort\":\"50\",\"sameschoolflag\":1,\"facultyid\":\"C70236533\",\"primaryunitid\":20}},\"status\":[{\"grantid\":1751,\"status\":\"Completed\",\"statuslabel\":\"Completed\",\"term\":\"Summer\",\"year\":2022,\"termid\":\"2021\\\/05\",\"listingorder\":4,\"completionorder\":6}],\"userid\":\"C38771214\",\"attachments\":[],\"sort_date\":\"2022-06-20\"}]","cu_faculty_title":"Professor, Visual and Performing Arts","cu_faculty_department":"Visual and Performing Arts","cu_faculty_affiliated_departments":null,"footnotes":""},"cu_faculty_group":[],"cu_faculty_department":[9],"cu_faculty_position":[],"class_list":["post-182","cu_faculty","type-cu_faculty","status-publish","has-post-thumbnail","hentry","cu_faculty_department-visual-and-performing-arts"],"yoast_head":"\nBenjamin Korstvedt | Faculty<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.clarku.edu\/faculty\/profiles\/benjamin-korstvedt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Benjamin Korstvedt\" \/>\n<meta property=\"og:description\" content=\"Professor Benjamin M. 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