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DTSTART;TZID=America/New_York:20260211T190000
DTEND;TZID=America/New_York:20260211T210000
DTSTAMP:20260502T082713
CREATED:20260202T191236Z
LAST-MODIFIED:20260209T192745Z
UID:10002387-1770836400-1770843600@www.clarku.edu
SUMMARY:An Evening of Music from fin-de-siècle Vienna
DESCRIPTION:  Worcester Chamber Music Society continues its 20th Anniversary Season with an evocative program drawn from fin de siècle Vienna\, a moment of radical transformation at the turn of the 20th century. Featuring Alban Berg’s Piano Sonata\, Anton Webern’s Drei Stücke for cello and piano and Five Pieces for string quartet\, and Arnold Schoenberg’s lush\, expressionist masterpiece Verklärte Nacht\, the concert traces the dissolution of Romanticism and the emergence of a bold new musical language. Performed by WCMS artists\, the program offers an intimate and powerful exploration of emotional intensity\, innovation\, and the birth of musical modernism. \n\n\n\nThis event is free and open to the public. \n\n\n\nYou can also watch the livestream on the Visual and Performing Arts Department’s YouTube page\, linked here.
URL:https://www.clarku.edu/events/event/an-evening-of-music-from-fin-de-siecle-vienna/
LOCATION:Razzo Hall\, Traina Center for the Arts\, 92 Downing St\, Worcester\, MA\, 01610\, United States
CATEGORIES:Arts/Music/Film
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260218T140000
DTEND;TZID=America/New_York:20260218T150000
DTSTAMP:20260502T082713
CREATED:20260204T215936Z
LAST-MODIFIED:20260225T152130Z
UID:10002489-1771423200-1771426800@www.clarku.edu
SUMMARY:Pink Triangle Portraits: Giving color and dignity to those who had it stripped away
DESCRIPTION:The Pink Triangle Portraits presentation acts as both an exploration of the persecution of queer people during the Third Reich and post-war governments and a look into how the project came to be and developed over time. Artist Bry Sharland\, creator of the project\, will discuss the intersection of artist\, researcher\, and educator\, and the use of art within the culture of Holocaust remembrance. We will look at selected pieces and the biographies of their subjects to flesh out their queer lives and joy. The project aims to remove the nazi’s narrative and images of these people\, and restore their agency and dignity as queer individuals.
URL:https://www.clarku.edu/events/event/pink-triangle-portraits-giving-color-and-dignity-to-those-who-had-it-stripped-away/
LOCATION:Dana Commons\, Higgins Lounge\, 01610
CATEGORIES:Arts/Music/Film
ATTACH;FMTTYPE=image/jpeg:https://www.clarku.edu/events/wp-content/uploads/sites/7/2026/02/BrySharland_ArtistTalk_Flyer.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260220T190000
DTEND;TZID=America/New_York:20260220T210000
DTSTAMP:20260502T082713
CREATED:20260218T163913Z
LAST-MODIFIED:20260218T163915Z
UID:10002966-1771614000-1771621200@www.clarku.edu
SUMMARY:Playfest: Die Krankheit
DESCRIPTION:Die Krankheit\, or\, “The Illness\,” was written by Sylvia Sammon-Burns\, and is directed by Gino DiIorio. Gregor returns home to spend Christmas with his family\, and in doing so\, he becomes embroiled in an unlikely plot with Sophie\, his lost love. Set in the waning years of the Austro-Hungarian Empire\, Gregor and Sophie must navigate family secrets\, betrayal\, and the desire for freedom. \n\n\n\nTickets are $10.00\, or free to students with a valid Clark ID. All tickets must be reserved through the Visual and Performing Arts Department’s Ticketsource page\, linked here.
URL:https://www.clarku.edu/events/event/playfest-die-krankheit/2026-02-20/
LOCATION:Experimental Theater\, Little Center\, 12 Charlotte St.\, Worcester\, 01610
CATEGORIES:Arts/Music/Film
ATTACH;FMTTYPE=image/jpeg:https://www.clarku.edu/events/wp-content/uploads/sites/7/2026/02/Die-Krankheit-poster.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260221T190000
DTEND;TZID=America/New_York:20260221T210000
DTSTAMP:20260502T082713
CREATED:20260218T163913Z
LAST-MODIFIED:20260218T163915Z
UID:10002967-1771700400-1771707600@www.clarku.edu
SUMMARY:Playfest: Die Krankheit
DESCRIPTION:Die Krankheit\, or\, “The Illness\,” was written by Sylvia Sammon-Burns\, and is directed by Gino DiIorio. Gregor returns home to spend Christmas with his family\, and in doing so\, he becomes embroiled in an unlikely plot with Sophie\, his lost love. Set in the waning years of the Austro-Hungarian Empire\, Gregor and Sophie must navigate family secrets\, betrayal\, and the desire for freedom. \n\n\n\nTickets are $10.00\, or free to students with a valid Clark ID. All tickets must be reserved through the Visual and Performing Arts Department’s Ticketsource page\, linked here.
URL:https://www.clarku.edu/events/event/playfest-die-krankheit/2026-02-21/
LOCATION:Experimental Theater\, Little Center\, 12 Charlotte St.\, Worcester\, 01610
CATEGORIES:Arts/Music/Film
ATTACH;FMTTYPE=image/jpeg:https://www.clarku.edu/events/wp-content/uploads/sites/7/2026/02/Die-Krankheit-poster.avif
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260222T140000
DTEND;TZID=America/New_York:20260222T160000
DTSTAMP:20260502T082713
CREATED:20260218T163913Z
LAST-MODIFIED:20260218T163915Z
UID:10002968-1771768800-1771776000@www.clarku.edu
SUMMARY:Playfest: Die Krankheit
DESCRIPTION:Die Krankheit\, or\, “The Illness\,” was written by Sylvia Sammon-Burns\, and is directed by Gino DiIorio. Gregor returns home to spend Christmas with his family\, and in doing so\, he becomes embroiled in an unlikely plot with Sophie\, his lost love. Set in the waning years of the Austro-Hungarian Empire\, Gregor and Sophie must navigate family secrets\, betrayal\, and the desire for freedom. \n\n\n\nTickets are $10.00\, or free to students with a valid Clark ID. All tickets must be reserved through the Visual and Performing Arts Department’s Ticketsource page\, linked here.
URL:https://www.clarku.edu/events/event/playfest-die-krankheit/2026-02-22/
LOCATION:Experimental Theater\, Little Center\, 12 Charlotte St.\, Worcester\, 01610
CATEGORIES:Arts/Music/Film
ATTACH;FMTTYPE=image/jpeg:https://www.clarku.edu/events/wp-content/uploads/sites/7/2026/02/Die-Krankheit-poster.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260224T163000
DTEND;TZID=America/New_York:20260224T180000
DTSTAMP:20260502T082713
CREATED:20260123T192112Z
LAST-MODIFIED:20260224T131107Z
UID:10002262-1771950600-1771956000@www.clarku.edu
SUMMARY:From Data to Doubt: Understanding AI’s Cultural Impact
DESCRIPTION:Image by [your123]/stock.adobe.com\n\n\n\n\nDue to the ongoing storm clean-up and current campus operations\, this event will be open only to students and faculty from invited classes. We apologize for this change\, but we look forward to welcoming you back to our public programming in March. Please watch for additional announcements coming soon! \n\n\n\n \n\n\n\n\nThanks to AI-generated media\, Pope Francis became an unlikely fashion icon in a white Balenciaga puffer coat. A fake photo showing an explosion at the Pentagon caused widespread confusion and a brief stock sell-off in the US. And a track called “Heart on My Sleeve” gained millions of streams across platforms before it was removed due to copyright violation for featuring AI-simulated vocals by Drake and The Weeknd. \n\n\n\nWe are in an age shaped by artificial intelligence when images\, sounds\, and texts can be easily fabricated or altered. So how do we decide what counts as evidence\, authenticity\, or truth when even the most persuasive media may be synthetic? Is skepticism still a productive critical tool\, or has doubt itself become something that can be manufactured and manipulated? Can we find a healthy balance between appreciating the potential benefits and creativity of AI content while objectively assessing its risk and impact? AI systems rely on massive amounts of people’s data and labor\, as well as vast natural resources to produce its outputs. What are the consequences of this extractive model? Who has authority – and who profits – when these systems remain opaque? \n\n\n\nJoin us for a community conversation to examine the shifting relationship between media\, artificial intelligence\, and public trust at a moment when credibility feels increasingly unstable. Framed by the Higgins Institute’s symposium theme “I Don’t Believe You: Truth\, Deception\, and Doubt\,” we will approach AI not merely as a technical innovation but as a cultural force that reshapes how belief and skepticism function in everyday life. Together we will explore AI’s roles across contemporary media ecosystems—social platforms\, recommendation systems\, automated agents\, and deepfakes and generative art— and interrogate how these systems construct authority\, obscure authorship\, and invite both confidence and uncertainty. \n\n\n\nThis discussion will be facilitated by Professor Matt Malsky and the students of MCA 250 Deepfakes\, Bots\, and the Algorithmic Gaze. It is offered through the Digital Humanities Research Collaborative. \n\n\n\nAdmission is free and open to the public. Refreshments will be provided.
URL:https://www.clarku.edu/events/event/from-data-to-doubt-understanding-ais-cultural-impact/
LOCATION:Higgins Lounge\, 2nd Floor\, Dana Commons\, Clark University
CATEGORIES:Academic,Arts/Music/Film,Science/Technology
ATTACH;FMTTYPE=image/jpeg:https://www.clarku.edu/events/wp-content/uploads/sites/7/2026/01/AdobeStock_300257078-scaled.avif
ORGANIZER;CN="Alice Coonley Higgins Institute for Arts and Humanities":MAILTO:higginsinstitute@clarku.edu
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