| Sepik River Cultures - New Guinea |
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| Abelam - Two cycles/cults that define Abelam life: Gift Exchange
based on Long Yams and the Tamberan Cult |
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Tamberan Housefront Paintings: Note Clan
figure heads, row of female figures; flying foxes in apex |
Long Yam displayed with Mask and Shell Ornaments. |
Man=
Long Yam=
SpiritEquation expressed by visual tranformations
Spirits given visual form through sculpture and masks; Man given spiritual form through
wearing masks and body transformation; Yam given anthropomorphic and spiritual form
through tranformation with ornaments and masks. |

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| Male Cultural Creativity vs. Female Natural Creativity Expressed Through
Art
Note biological metaphor |
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| "wut" literally translates as "womb" |
Tamberan House Interior Paintings called "wut" -- House=Space
for Boys' Socialization/rebirth as adults |
Net Bags (only craft done by women) called "wut" |
Male-Female Symbolism of House: Ridge Pole = Male
House as a Whole = Female
Phallic Symbolism: Male As Aggressor |
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Tamberan Cult house with painted house front. Click on image for larger
view. |
Abelam Clan Spirit Figure - Phallic Symbolism - Male as Nurturing Force |
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Iatmul Men's House - Gendered Space
Clan Spirit Corner Posts
Fertile Female Figure |
Fertile Female Figure guards entrance to third floor (detail) |
L. Iatmul Mai Masks (Clan Spirits) dancing.
R. Mai Mask |
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| L. Iatmul Mai Mask R. Iatmul Gable Mask (Grotesque
Female) |
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| Sepik Bird-Man Masks |

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| L. Sepik Debator's Stool R. Sepik Overmodelled Skull (Portrait) |

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| L. Abelam Hook
R. Sepik Hook |

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| L. Abelam Clan Spirit Figure R. Sepik Clan Spirit (Hook) Figure |

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