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CMLT174: Islands in the Stream Interview |
I guess that's the sign of a really good course like this one. I keep thinking about it long after it is finished.—Alex Lefter '08
Interview with Alex Lefter '08 (Spanish and international development major), Karleen Porcena '09 (Spanish and comparative politics major) and Hannah Caruso '09 (Spanish and anthropology major)
Karleen: I took this course because it was about Caribbean and West Indian culture. Since my parents are from Haiti, I was excited to take a course that actually taught some of my history.
Hannah: I wanted to take this class because I have an interest in the Caribbean and Caribbean culture and history, and it was one of the only courses offered about this part of the world. I've been to St. Lucia and Puerto Rico to do different work. I'm fascinated by the region and thought this course would be a great way to learn more about it.
Karleen: We talked a lot about dual-identity, which was one of the major topics of the course. It was really interesting to see how two completely different islands—Puerto Rico and Guadeloupe—shared this kind of need to figure out who they were. Not only was the subject matter unique, but the class was different because it was really based on the people of this region. I think that any time you can take a course about culture with two professors who identify themselves with that culture, you get so much more out of the course. Professors Acosta Cruz and Ferly contributed facts and personal anecdotes that we would never have learned from professors who hadn't experienced the culture. We also were exposed to new authors—writers whom we would never read in a regular history class—who were well-known in Puerto Rico or Guadeloupe but never received recognition over here.
Alex: The unique challenge I faced throughout the course was that I was taking the course both as a Spanish literature course and a development course. For me it was really important to make a distinction between what were pure developmental issues and what were more cultural issues. That led me to ask questions about what was really an author's opinion and how that interpretation related, or not, to the actual complex reality of the country. In other words, what was the author's perspective versus what was true development or fact. For example, we read an essay called "The Docile Puerto Rican" where the author criticized the Puerto Ricans based on their choice of identity or nationhood. First he criticized Puerto Rico's choice to be independent, arguing that the country wouldn't make it without the help of the United States. Then he argued that if Puerto Rico chose to continue to be a colony, they would show no national pride. So, this author was putting this real-life argument into a more literary context.Alex: It was an interesting experience. I've never had a team-taught course before. I was already familiar with Professor Acosta Cruz's style but had not taken a class with Professor Ferly before. The best part was that you could get two perspectives on a topic. Sometimes they would debate and we, as students would witness their debate and then debate their debate.
Hannah: I think Professor Acosta Cruz and Professor Ferly were learning from each other while we were learning from them.
Karleen: In this class you would never hear 'This is what the textbook says.' Instead, we read novels and articles. Professors Acosta Cruz and Ferly would teach from their own personal experience growing up in Caribbean culture. And we were expected to discuss and debate all of the issues that were raised by our professors and the texts they assigned.
Hannah: I thought it was really great to do a lot of work on one specific issue. The class covered so many issues, and the presentation gave me the opportunity to go into detail about one. I looked at Creole language in Martinique and how it played into oppression.
Karleen: Because I was focusing on changes in music in Puerto Rico, my project partner and I played music and discussed the change from early Puerto Rican music in the "La Bomba" style to more contemporary styles.