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CMLT205
- The Play and its Stages/Seminar, Workshop
A critical approach to the dramatic text based on historical and material conditions of performance. Considers the changing ways that meanings are made through styles and conventions of performance (including set, costume, mask and vocal delivery), which are specific to historical and cultural moments. Playwrights considered may include Sophocles, Shakespeare, Racine, Molière, Chekhov, Ibsen, Brecht, Genet and Beckett. Scene work. Mr. Spingler/Offered periodically
Faculty
Michael Spingler, Ph.D. - Associate Professor of French
Adjunct Associate Professor of Screen Studies
| The course is also known by the following crosslisted code(s): |
TA203
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