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COMM146
- Recording Practice and Audio Art/Seminar
Many following Brian Eno have observed that the recording studio is the
musical ³instrument² most characteristic of our time. The majority of the
music we encounter is produced using its facilities, production techniques
and aesthetics. In the first half of the semester, we¹ll work with the
industry standard digital audio workstation (DAW) ProTools to make a
polished multitrack recording. This part of the class will introduce you to
sound recording as a process and an art, and will also cover the supporting
science and technology that makes it possible. In the second unit, you will
be more composer than engineer. You will create a short composition in a
³sound collage² style called musique concreté beginning with recordings of
voices and software for processing and editing. Prerequisite MUSC141 or permission of instructor. Mr. MAlsky/Offered every year
Faculty
Matthew Malsky, Ph.D. - Associate Professor of Music; Chair, Department of Visual and Performing Arts
| The course is also known by the following crosslisted code(s): |
MUSC142
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Additional Resources
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