FOWOWE, Moses Oladipo |
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CONTACT
ADDRESS Department of Fine and Applied Arts,
University of Benin, Benin City, Edo State, Nigeria. |
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E-mail ADDRESS fowowe@uniben.edu. |
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EDUCATION 1986 Ph.D (Art and Art Education), New York University, December, 1986. Dissertation: A study of the Origins, Development and
Significance of Southern Nigerian Traditional Pottery. Ann Arbor: University Microfilm International, 1987. 1987
M.F.A. (Ceramic Art and Design), Syracuse University, May, 1979. 1974 B.A. (Hons) Fine and Applied Arts (Specialization: Ceramics), Nsukka, Nigeria, June, 1974. |
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PROFESSIONAL
POSITIONS 1989
pres. Senior Lecturer (Ceramic Art and
Design), University of Benin. 1979-1981 Lecturer II (Ceramic Art and Design), University of Benin. |
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AWARDS1982
Federal Government of Nigeria Scholarships Award for Ph.D. Degree programme. 1978
Ford Foundation Grant (cash award), Awarded by the College of Visual and Performing
Arts, Syracuse University. 1977 Federal Government of Nigeria Scholarships Award for M.F.A. Degree programme. |
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SOLO EXHIBITIONS1982 The
Living Vessels. Assembly Hall, Ekehuan Campus, University of Benin, Benin
City, Nigeria. 1979 African
Pottery in Transition. 1975 The
Beginning of the Journey on the Road. |
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GROUP EXHIBITIONS1995 Re-Generation. 1980 Exhibition
Center (Now, Urokpota Hall), Benin City. 1980 Society of Nigerian
Artists National Biennial Conference Art Exhibition: Students
Centre, Ugbowo Campus, University of Benin. 1979 Something
Different. Sponsor: Afro-American Studies - Syracuse University. 1979
Master of Fine Arts (MFA) Exhibition: 1979 Untitled. Sponsor: Afro-American Studies/Syracuse University,
Community Folk Arts Gallery, Inc. 1979 Juried
International Exhibition: 1979 Untitled. 1978 Four
Approaches to Clay. |
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WORKS IN SIGNIFICANT PUBLIC/PRIVATE COLLECTIONS Afro-American-Syracuse University, Community Folk Arts Center, Inc., Syracuse, NY Professor Herbert Williams, Director, Community Folk Arts Center, Inc., Syracuse, NY |
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PUBLICATIONS 1995 The Impact of Technology on Pottery Craft in Nigeria. 1995 Changing Phases of Tradition: The Origin and Growth of Contemporary Pottery in Nigeria. Articles: 2001
"Socio-cultural and Religious
Uses of Traditional Pottery Among the Yoruba, Bini and Igbo of Southern Nigeria. Nigerian Journal of Art, Volume 3, Nos. 1 and 2
(Jan., 2000 Dec., 2001): 9 21. 1999 1999
Works Acquired by Smithsonian Institution Libraries, Washington, D.C. Academic
Papers: Library Acquisition List, No. 198 (March April, 1999), pp. 3 and 25: 1998 "Moses Oladipo Fowowe" in Contemporary Nigerian Art and Its Classification, by Chinedu Chris Chukwueggu. Abraka and Port-Harcourt: Delsu Consult Publishing House and Virochy International Press, 1998, pp. 196 203 1996 Experience with Clay: Artistic Creation of
Contemporary Ceramic Forms. Africa
Studio, Vol. 1, Nos. 1 and 2 (December, 1995/May, 1996): 1 6. 1994
Nigerian Contemporary Pottery: Art or Craft?
The Eye A Journal of Contemporary Art, Vol. 3, No. 2 (December, 1994): 9
11. 1992 Aesthetics: A View of Robert Farris
Thompsons Theory on Yoruba Artistic Criticism.
The Eye A Journal of Contemporary Art, Vol.1, No.1 (Dec. 1992): 30
33. 1990
Traditional Religion and Art in Southern Nigeria. Nigeria Magazine, Vol. 58, Nos. 1 and 2 (January
June, 1990), pp. 78 89. 1990
Fowowe, Moses Oladipo. Traditional
Pottery in an Age of Improved Technology. A
Journal of Art Education, Vol. 2, No. 2 (Septermber, 1990): 157 172. 1985
African Art Forms: Religious, Social, Cultural and Artistic Applications,"
1985. 1984
Yoruba Traditional Art: Symbolism and Interpretation. Working Papers in Art Education, Number 3 (1984):
25 29. |
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WORK IN PROGRESSNigerian Pottery: Its History and Cultural Values. My current research focuses on the origins and development of pottery in Nigeria. This study also examines the impact of socio-cultural beliefs on pottery vis-à-vis its uses in the Nigerian society. |
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CONFERENCE/SEMINAR PAPERS1997
Art in Technology: A Case Study of Bini Pottery. Maiden
Conference on Industrial Design and Technology. Organized
by the Department of Industrial Design, Federal University of Technology, Akure, Nigeria. April 8 11, 1997. 1995 The
Artist in an Era of Change. Ife Art School,
Obafemi Awolowo University, Ile-Ife, Nigeria. A
Symposium, 27 April, 1995. 1995 Nigerian Artistry: Process and Creativity in Igbo
Pottery.Nigerian Field Society. A Symposium to mark the centenary of the birth of
Frank Bridges, Founder of the Society in 1930. Institute
of African Studies, University of Ibadan, July 15, 1995. 1995
Gelede Mask: An Aesthetic Appreciation of Its Symbolism and
Meaning. A
Conference organized by Atunda Group of Artists, Ondo State College of Education,
Ikere-Ekiti, Nigeria. September 21, 1995. 1995 Changing Phases of Tradition: The Origin and
Growth of Contemporary Pottery in Nigeria. A Conference organized by the Eye Society
and Department of Fine Arts, Ahmadu Bello University, Zaria, Nigeria. November 1 4, 1995. 1995 The
Impact of Technology on Pottery Craft in Nigeria. 1988
Traditional Pottery in an Age of Improved Technology. African and Middle-East
Regional Congress of INSEA (International Society for Education through Art). University of Lagos, Lagos, Nigeria; 7 12
August, 1988. 1985
African Art Forms: Religious, Social, Cultural and Artistic
Applications. African
Studies Association, Twenty-Eight Annual Meeting, New Orleans. November 23 26, 1985. 1984 Yoruba Traditional Art: Symbolism and
Interpretation. National
Art Education Association Convention, held in Miami, Florida State. March 29 April 3, 1984. 1980 Society of Nigerian Artists National
Biennial Conference, University of Benin, Benin City, 27 29 November, 1980. |
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PERSONAL DATAPLACE OF
BIRTH: Ilesa. STATE OF
ORIGIN: Osun
State. HOME TOWN:
Ilesa. CITIZENSHIP:
Nigerian. MARITAL
STATUS: Married. NAME OF
SPOUSE: Mrs. Bosede
Fowowe. |
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